Hours for 2015: Mon-Sat, 11-5pm and other hours by appointment. Winter hours 12-4
Our workshops and classes are posted on the workshop page and you may register there. Watch for new class listings all the time.
Up coming Shows:
"Oasis" - a collection of new works by the 310 ARTists. Starts April 1st 2015 Oasis is something that provides refuge, relief and pleasant contrast. The work in this exhibition is intended to create a pleasurable refuge in the imagination of the viewer and collector. Work in all mediums and sizes included.
"Hot and Cold" -Starts June 1st 2015 through the summer. This is a collection of works in wax, cold and encaustic, by the 310 ARTists who work in these mediums. Show includes both 2D and 3D works in a variety of mediums. Our week of Wax Classes begins June 18th as we celebrate the wax arts this summer.
Fleta Monaghan is the founder and director of 310 ART. The studios feature a fine art gallery of original work, Spill Gallery, Peabody Gallery and the learning venue River's Edge Studio. Fleta's own working studio is nestled in the center of the gallery.
Fleta grew up on the west coast of Florida, on the beautiful Gulf of Mexico. After traveling around the United States and living in San Francisco, Oregon and Virginia, she settled in Asheville, North Carolina in 1981.
“I have always been attracted to beautiful and historic places populated with interesting and artistically inclined people. After visiting Asheville briefly, I decided this was a perfect place to live and work. I love the thriving arts community, and enjoy working and teaching in a poetically timeworn 100 year old warehouse in the River Arts District of Asheville.”
The oldest of seven children, she began painting in oils and pastels at an early age. Her earliest works still in existence are pastel copies of Bottecelli paintings, executed at age twelve.
“I have heard it said that an artist only has to look at the art work they created as a child to see the directions and themes that will resonate in their adult work. That is certainly true with me. I experimented with all kinds of materials as a kid – marbling paper with oil paint, making handmade paper, drawing and painting and creating costumes. I would read about some new technique or see some interesting art, and the next thing you knew I was trying it out. Naturally, most of my experimentation took place outside! Now, I love to paint people I know, experiment with mixed media in my paintings and push the image toward abstraction. I am always seeking an essence of thought and feeling when I combine imagery with materials. There is an unbroken thread that weaves through all my work, no matter what materials I use or which techniques I employ. The Gulf of Mexico strongly influenced my visual, spiritual and philosophical senses as have the Mountains here in North Carolina.”
Enjoying both an urban and rural experience, Fleta works and teaches in her studio at Riverview Station near downtown Asheville. She and her family share a country home near the city with Peanut, the famous gallery dog, two cats, Jax and Vash, a feisty Quaker parrot named Elvira and a yard populated with hummingbirds, rabbits, opossum and deer.
Bet has a great sense of humor, but tell her a joke and she gets a blank look and says, “I don’t get it”, then laughs ten minutes later when she does. This is similar to her entry into the art world.
Having taught digital imaging, website development, and desktop publishing, her progression into photography was a given. So naturally, she began her artistic career as a photographer of realistic images. Her favorite subjects depicted her love of the mountains, lakes, and culture of Western North Carolina.
Wanting to take her photography to another level, she began incorporating her images into encaustic paintings. “I love the scent of the beeswax, the surprises similar to water colors, and the many ways I can use images in this ancient medium which is now so popular.”
“What I like about my new abstracts and monotypes is the way others interpret them. They see things in the pieces I never saw before. “
Bet tends to work with geometrics in her paintings, though she has once again begun to include images—printed on tea bags.
“I have always said that it isn’t what I intended to say in the paintings, but how it makes the viewer feel and what they see.”
Bet is the director of Encaustic Classes at River’s Edge. She has no reservations about sharing her knowledge of encaustic with students. “I love it when students come to class with their own ideas. They inspire me and I hope I have given them a start on their own artistic path.”
Art has always been a part of my life. My watercolors have something new to say to the viewer. Improvised on the urban landscape - gritty, stark, rough - engaging a deeper emotion - using shadow, texture, color, and glazes moving my art to a more complex tonality. My art evokes an emotion that helps you take the journey with me to that place, into that world.
My studio is the ever-changing world around me. I am an avid bicyclist, swimmer and walker. I do long distance bike trips and paint and photograph as I go. I love visiting noisy cities and bustling streets. Every day is a different wonder, a new world to live in the moment. My work is created from the occasion that makes it unique and with its own particular style. The style is a product of the time and place. The versatility is my signature.
My background as a theatrical set and lighting designer has allowed me to incorporate my knowledge of light and shadow, large and small-scale objects, textures and colors to culminate in the artistic drama I want the viewer to enjoy. My motivation for continuing to paint is for both you and I to escape for a moment to another place and find joy in reliving the moment together. I cherish my continuing fascination of the world and treasure my history.
I am a baby boomer, born in Bird City, Kansas. I lived in western Kansas throughout childhood. My "hood" was a group of 11 boys and no girls. My father was an industrial arts teacher and furniture builder; my mother was a first grade teacher and oil painter. I grew up with a hammer in one hand, a paintbrush in the other and a tough kid attitude. Eventually I got involved in a large regional theatre-Music Theatre of Wichita. I worked as a scenic artist at MTW for five years and met many designers, actors and technicians from New York.
Not long after that, I moved to Brooklyn, New York and received an MFA in theatre design from Brooklyn College. I continued to work in NYC and surrounding area for 31 years. I worked for well known New York designers as well as creating my own set and lighting designs for Off and Off-Off Broadway. I painted murals for a variety of stores and private residences. My watercolors are influenced by my theatre design as well as my various art instructors and personal friends; Mario Cooper, Paul Ching-Bor, Antonio Masi, Tim Saternow, Chi Kaplan, Carole McDermott, Jada Rowland, Fredrick Brosen, Michael Burban and Dale Meyers. My personal photographic collection is where I find inspiration for my watercolors, and each is a unique image. My watercolors have received national and international recognition in the past several years. I am a life member of the Art Students League in NYC. I am also a member of the Salmagundi Club and the National Association of Women Artists. My watercolors are now available at 310 Arts in the River Arts District of Asheville, NC.
Katrina has emerged from a 28 year Naval career into an art euphoric state. Call it an “artistic hiatus” between the times she was selected as “Most Artistic” in her senior year of high school, to now (a few years later), a full time student at UNCA, completing a Bachelors of Fine Art Certificate in studio art.
It was after retiring to Asheville in 2007 and embracing the Art culture that makes up that town, that Katrina began her insatiable desire for “all things art.” It’s in this atmosphere amongst other artists that she thrives, and the artist within has become apparent.
With every art workshop and UNCA course completed, comes another creation and desire to create more. Still undecided on a BFA concentration, it’s likely between printmaking, sculpture or painting, but you know, it’s hard to pick just one!
So for now, that’s what you’ll see her creating: Prints (Intaglio and Monotypes); Paintings (Oil, Acrylics, Wax and Watercolor) and Sculpture (sky’s the limit!).
The decision to take a studio space at 310 in The Peabody Gallery, feeds her already insatiable appetite for art.
"The road, the lights, the words, the places- all capture my spirit. Oh, and by the way, did I mention that when I was a child I hung out with my three spinster great aunts who owned a motor court, the Camellia Court in Silver Springs, Florida- the land of glass bottom boats? I couldn't wait for it to be dark enough to turn on the neon sign."
Drew Deane is an artist in residence at 310 ART and the owner of Drew Deane Gallery in Brevard, NC. Drew is working in the new space at 310 called The Peabody Gallery. She works in oils and mixed media.
"First of all, I paint because I must... It's as much a part of me as breathing. If life gets in the way, and I don't have time to paint, I soon feel out of sorts and disconnected. So I paint and then I feel whole once more.
I am a self taught artist who learned much by trial and error. Because I had to work through problems while creating, it helped me to understand what new students go through, so I am better equipped to help them. Next to creating my own work, I enjoy teaching others. What a joy it is to see that sparkle of understanding in their eyes! I'm proud to say that in 25 years of teaching art, I have never had a failure!!
As a side note, I was also nominated 5 years in a row for the prestigious "Friends of the Arts Award" in the arts education category. A highlight of my career was to have a piece accepted for an exhibit in Nagano, Japan during the Winter Olympics, which then was part of a traveling exhibit for 6 months.
I enjoy all aspects of the painting process, no matter the subject or medium, but it pleases me most to paint portraits of people and animals. My goal is to capture that innate spirit that makes up the personality of each individual. I truly believe that the eyes are the pathway to the soul. Get that right and the rest is easy!!"
Lorelle Bacon is lead teacher in our Studio program and frequently teaches workshops in all subjects and mediums. See the class descriptions for details of current classes.
Erin Keane is an encaustic artist and bookbinder who cannot resist luscious beeswax and luscious bindings. Her encaustics feature personal photography, intricately hand-cut designs, and mixed media compositions. Her handbound journals showcase original encaustic artwork on the covers, distinctive sewing along the spine, and hand-torn paper on the inside (awaiting your creative meanderings).
“The artist in me craves to explore new techniques, structures, and ideas. This curiosity and drive for originality led me to combine my two obsessions, encaustic and journals, which I had not seen combined before in this manner. The resulting books are individual works of art and conversation pieces, yet they are completely functional as blank journals.
My daily photography practice has been integrated into my imagery using a transfer process, which lends a rustic look to the photograph and lays a foundation of color and visual texture. I have an affinity towards nature and patterns and I often construct intuitive abstract landscapes. I aim to convey a feeling of hushing and holding, of peace and tranquility, and of awe with our surrounding beauty.”
Erin studied art at Miami University in Ohio where she graduated with an M.A. in Art Education. She moved to the Blue Ridge Mountains after college and taught art at Brevard Middle School for twelve years. She is now a full-time artist and juried member of Southern Highland Craft Guild. Erin exhibits her work at 310 Art Gallery, as well as Southern Highland Craft Gallery in Biltmore Village and Number 7 Arts in Brevard.
Erin is an instructor at 310 Art / River’s Edge Studio and teaches workshops in encaustic, bookbinding, and visual journaling.
At 25, my mid-twenties has been one of the most exciting and also difficult chapters of my life. I apply the metaphor of each life as a story to help me interpret the beauty around me. The endless, serendipitous string of connections between people, events, and things keeps me fascinated at the genius that is life. I’m a daydreamer who likes to get my hands involved in things and just make stuff! In addition to painting and drawing, I love hiking, writing, and reading. In the future I hope to travel, serve, and spread enthusiasm about the importance of the arts.
My education and experience in the art field has been of the highest value to me. A major milestones in my studies include my graduation from St. Mary's College of Maryland with a Bachelor's Degree in Art. I've studied privately under the instructor Sarah Abel-DeLuca in Maryland. In the past two years I have won awards for my art including the St. Mary's Senior Purchase Award and the PNC Bank Junior Art Award. I've had wonderful experiences interning at the Delaplaine Visual Arts Center in Maryland in 2011 and at Off Track Art co-op in Maryland in 2013. I am excited to be presently the Assistant Gallery Manager at 310 Art in the River Art's District of North Carolina where I also show some of my work.
“Creativity is my voice. Each medium of expression is a language of its own. Curiosity inspires me to seek depth in my creativity. Exploration of alternate mediums is the ultimate journey. Abstracted art through mixed media is the alchemy of my artful expression. I have a love affair with art and all things art.”
As an artist, Terri creates abstracted expressive works using Encaustics or Cold Wax/Oil, most of which include mixed media. Her most recent work involves transforming found objects into light sculptures using a variety of mediums.
Her artwork is derived from the natural beauty around her. The macro world opens up limitless perspectives and visual subject matter. Dreams of vivid color and elusive scenarios are fodder for her artwork. Sometimes just seeing the world through the eyes of her pets sparks hidden emotions to express in art.
Terri grew up in the wide open space of Wyoming, graced with monumental buttes and mesas. As a young girl she accompanied her Great Uncle, a lapidary, on sojourns to his secret hunting grounds excavating geodes, jade, agates and fossils. With an appetite for the unknown, her curiosity has been the motivator for travels and explorations throughout the U.S. and Europe. Living in the Netherlands and studying art for seven years altered her artistic path. She currently lives in Weaverville, NC and continues her studies in art, especially delving into unknown mediums.
Koda Chromosome 2
As a native of St. Petersburg, Florida and a twenty five-year resident of the mountains of Western North Carolina, I am influenced by personalities, emotions, images and colors associated with these locals which are distinctive in character and environment. I have over the years developed highly personal perceptions and highly personalized techniques. Applying all I've learned, I seek to project authentic intimate interpretations of the world as I encounter it, coast and mountain, past and present.
Walton teaches Cold Wax and Oil techniques and Abstract painting workshops at RIver's Edge Studio, the teaching venue at 310 ART .
Jane Molinelli began her work in visual arts as a fiber artist. She studied floor-loom weaving and tapestry weaving at the Penland School of Crafts, then studied fabric design at the Fashion Institute in NYC. While living in New York, she had a business producing silk batik as yardage for designers or for making into scarves or one-of-a-kind garments sold to shops and individual clients.
“I have always been in love with color, but the energy and rhythm that painting can convey has always intrigued me. At a young age, I began to gravitate to the contemporary section of any art museum I visited. The vitality, immediacy, and depth of emotion spoke to me like no other. My art is non-objective. Rather than painting a scene, capturing a portrait, or abstracting an object, I try to convey a moment, a memory, a thought, or feeling. My art relies on line, mark, color, energy, and rhythm to communicate with the viewer in an inner language without words. “
Cool Dances With Warm
oil on paper 18 x 24 inches
My Bent Is Not Your Bent
acrylic, pastel, and graphite on paper 12 x 16 inches
Finding the Clearing
acrylic, pastel, and graphite on canvas 12 x 12 inches
acrylic, pastel, and water-soluble crayon on canvas 12 x 12 inches
acrylic, pastel, and water-soluble crayon on canvas 12 x 12 inches
oil on paper 9 x 12 inches
oil on paper 9 x 12 inches
acrylic, graphite, and water-soluble crayon on canvas 36 x 36 inches
"I paint with acrylics on canvas. My technique is to make a wash on the unprimed side of the canvas, and then superimpose a structure of some kind and various images. I love coming up with new visual experiments and puzzles.
I paint with a combination of geometric structures, organic images, as well as images found in the art of other cultures. My latest projects are purely geometric structures. This expresses my interest in architectural forms, symmetry and asymmetry, and positive/negative space.
My influences are studies and meditation on the religious art of various cultures.
The artists I most admire are Paul Klee and Charles Burchfield."
Landscape painter Anne K. Allen, relocated to North Carolina from Florida following a career in education and the performing arts. The lure of seasonal changes, blue rimmed mountains and a vibrant arts community drew her family to retire in Western North Carolina.
Since childhood Anne has had a reverence for nature and has always loved to paint outdoors. She has made three trips to Ghost Ranch in Abiquiu, New Mexico to paint en plein air in the high desert. She has enrolled in classes and workshops at the Art League of Bonita Springs, FL, and most recently participates in professional studio critiques at the River’s Edge Studio in the River Arts District of Asheville, NC.
Allen is a member of the Appalachian Pastel Society and a former member of the Pastel Society of Southwest Florida. Her work has been displayed in Asheville, NC; Bonita Springs, FL; Tryon, NC; Hendersonville, NC and in the Sheldon Art Gallery, Fifth Avenue South, Naples FL. Her paintings are currently displayed in 310 Art, River Arts District, Asheville, NC.
I Can Hear You Now
Wind Beneath Me
Shall We Dance?
Born on Long Island, NY in 1932, Bob took up a brush and began painting at an early age.
After graduating high school, he attended Pratt Institute for a semester. In 1952, he entered the United States Army as an illustrator for the 6th Army. He painted training aides at Fort Ord, California, and at the Army Language School, Monterey, California.
After receiving an Honorable Discharge from the Army in 1954, Bob worked as an apprentice for a Los Angeles based architectural illustration firm for six months. He then set out on his own to freelance in architectural delineation, a skillful art form he has mastered over the years and from which he retired three years ago.
His public work, still extant, includes a fresco secco mural for the Church of Religious Science, Las Vegas. He illustrated the book 'The Voice Celestial' by Dr. Ernest Holmes, Dodd-Mead, publisher, in 1960.
Bob began tailoring the Scottish kilt commercially in 1976 and began kilt research in 1980, both here and in Scotland. He authored a column "The Kiltmaker's Corner" for the Scottish American newspaper. His book All About Your Kilt (with CD-ROM) grew from these articles and was published in 2001 by Unicorn Books. He was elected a fellow of the former Scottish Tartan Society in 1983 and to the Guild of Tartan Scholars of the Scottish Tartan Authority in 1993. He continues to work as a consulting historian of the kilt, but retired as a kilt maker in 1998.
Bob has five children, six grandchildren and five great-grandchildren and now lives in Candler, NC with his wife, Betty Carlson. He continues his painting in palette knife oils, sumi-e and sumi-e with watercolor. Along with regular shows of his work, Bob participates in 'Quick Draw' and 'Plein Air' Painting demonstrations, as well as at charity auctions and events.
Bob teaches Sumi-e painting and Palette Knife techniques and exhibits in the River Arts District in Asheville, NC at 310 Art Gallery/River’s Edge Studio, owned and operated by the artist Fleta Monaghan.
"I paint to please myself. I have nothing to prove with my painting, no theory to expound, no revolutionary ideas to give to the world. I give myself, using my talents to the best of my ability."
Following a many year career in Medical Technology with weaving as a hobby, Betty resigned from her final post as lab supervisor of a small hospital in the area to enroll in the weaving program at Haywood Technical College’s School of Craft. She graduated from Haywood to eventually become a juried member in fiber of the Southern Highlands Craft Guild in 1989 and later of the Piedmont Craftman’s Guild.
After a short career as a professional weaver, Betty recently sold her weaving studio and began to work in encaustics, using natural items as well as wax, collage and handmade paper. She exhibits at 310 Art Gallery in the River arts district in Asheville, NC.
Betty is married to Bob Martin, a painter in Sumi-e and oils, and they make their home in Candler, NC.
In and Out Stencils
Stripes, Spots, Angles
Vivaldi in the Red
"I was an architect for more than 30 years and have a lot of experience with design and presentation. For that reason I feel comfortable doing cityscapes, buildings, landscapes, and those subjects which also entail the use of light, shade, shadow, and color. I try to have an unusual angle of view in my work if possible. I mostly approach painting in a contemporary, even abstract way. I believe a good painting will attract your interest often. I hope mine do that."
Mary Alice Ramsey
A native of Western North Carolina, Ramsey works in the areas of drawing, painting, and mixed media. She is also a published writer and performance poet who extends her work onto visual journals and altered books. Her thought provoking work, which frequently incorporates images of people, aims to engage the viewer on multiple levels. She did undergraduate work at UNC-Asheville and received a Master's degree from Western Carolina University. She teaches Visual Journaling techniques at 310 ART.