“I am an artist working primarily with photography and encaustic beeswax. Through my camera, I collect the beautiful colors and textures of daily life. When I take photographs, even highly abstracted ones, they hold powerful memories of when, where, and why.
I am especially interested in the elasticity of light as it dances around shadow and reflection. Capturing light is sometimes ethereal and sometimes edgy. It is intriguing how the camera lens “sees” differently than the eye.
My method of developing photography involves transferring the ink from my prints onto cradled panels and saturating with encaustic. This creates soft imagery with a luminous glow and aromatic scent of beeswax.
The transfer process makes me feel connected to my artwork. My hands are on every print, smoothing and burnishing and revealing the final imagery. The rhythm becomes a moving meditation. Each transfer is unique, an absolute one of a kind. The transfer process literally transforms the original image into something new.
Layers of encaustic illuminate the imagery and lend visual depth and texture to the photographs. It is the perfect finishing touch. Beeswax has a very sensuous surface, yet it is also highly archival and durable.
In addition to encaustic, I am also a bookbinder. For years encaustic and bookbinding were separate entities in my life, the art and the craft, the experimental and the meditative, and I craved a convergence. My encaustic journals are designed to honor books as an art form.”
Erin studied art at Miami University, Ohio, and graduated with an M.A. in Art Education. She moved to the Blue Ridge Mountains and taught at Brevard Middle School earning National Board Certification in Visual Arts. In 2011, she moved into a new career stage, becoming a professional artist and instructor. She is a member of Southern Highland Craft Guild and her art is represented by 310 ART in Asheville, NC, where she also teaches classes.
The Quiet Hour, 40x40, 25 piece installation
Indigo and Honey, encaustic, 36 x 24
Water Colors, encaustic, 24 x 24
Imprints of Morning, encaustic, 25 x 25
The Looking Glass, 8x8 each piece, sold individually or as a group
Afternoon Nap, 12 x 12, encaustic
Shimmering Light, 12 x 12, encaustic