Private Lessons and Critique for Aspiring Artists. Lecture Series
To arrange a special private lesson with our staff of professional artists email firstname.lastname@example.org or call 828-776-2716. Tuition will be required in advance via paypal invoicing or check to the instructor via mail or in person. See options below.
Professional consultation and critique with Fleta Monaghan—$75 per hr., one hr. minimum for professional development consultation and personal critique and goal setting. See below if you wish a hands on experience. Payment must be made in advance. Limited availability, so no refunds for cancellations unless there is snow and ice.
Encaustic basics and special topics for experienced students: Private and semi private lessons in Encaustic methods can be arranged if you are visiting, depending on the availability of the instructors. Advance reservation is recommended and usually required to ensure class for you. Locations may vary but will be in Buncombe county in fully equipped studios. Price is usually $85 per hour plus materials fee dependent of methods taught and materials provided 3 hour minimum. Prepayment is required. one or two participants.
All Mediums: Hands On Private or semi private (2 person) lesson with award winning artist Lorelle Bacon, any medium, Specialties include Landscapes, Scratchboard, Portrait Painting, Realistic Animal Portraits and more. $125 per person for two hrs., minimum. Add $25 per person if you wish materials to be provided. For one or two participants. Special rates for 4 or more participants and special 4 hr workshops can be scheduled for your group or family in any media and subject. Great for a vacation experience in the arts district! It is recommended that you schedule in advance, and prepayment is required.
Experimental Watercolor: Explore special techniques and bring your watercolor to a new level with award winning artist Nadine Charlsen. Hands on private and semi private (2 person) lessons Specialties include Landscapes, Architecture, and painting with beer. Rework pieces you already have or start new ones. $125 per person for two hrs. minimum. $50 for each additional hour up to 6 hours/day. Add $25 per person if you wish materials to be provided. For one or two participants. Special rates for 4 or more participants and special 4 hr workshops can be scheduled for your group or family. Great for a vacation experience in the arts district! It is recommended that you schedule in advance, and prepayment is required. Fun and easy techniques to recapture your lost work or find new paths.
Lecture Series with Fleta Monaghan
Presentations include a slide talk and following question and answer discussion. Book in advance for your group by calling 828-776-2716 or emailing email@example.com. A contract from your group and a deposit is required.
For Buncombe County the fee is $150. Outside of Buncombe County the fee is $200 up to 50 miles. For up to 100 miles the fee is $225. Optional hands on may be scheduled for an additional fee. Talk and discussion aprox 1 1/2 -2 hrs or longer for lively discussion if time permits. Equipment is provided, including computer, projector and screen if necessary. Handouts will be email to participants after the class if they wish that includes study guides.
If your group would like a talk on a special topic, please contact Fleta Monaghan regarding the possiblilty of something for your group specifically.
Natures Pigments and Beyond
This talk will focus on a historical overview of artist's pigments and how traditions have changed over the centuries, especially since around 1850. We will take a look at how pigments behave and how artists can use these "personalities" to their advantage in the subjects they wish to paint. Included is how to read the tube labels, effective ways to set up a palette, red/yellow/blue basics, the problem with black pigments and high tinting strength pigments (and the advantages), the issues with greens and how to get the most for your money when purchasing paints.
Abstract Art - What's it all About?
Often we hear comments such as, “My kid could paint that!” when those unfamiliar with abstract art see work in museums or galleries. So, what is it all about? This discussion will touch on the development of the abstract genre since the 19th century and what is happening today focusing on the roots of abstraction and how it has impacted art in the United States. Why is All art abstract, and what does abstraction have in common with more understood subjects such as landscapes and portraiture. How can realist artist benefit from understanding the foundations of abstraction. This talk will include a slide presentation and question and answer time.